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2016.06.05 Sun, by

Long Musuem (Chongqing) presents “100 Years of Chinese Art (1911-2011)”

Long Musuem (Chongqing) opened to the public on May 27. Ms. Wang Wei is the director and chief curator of the Long Museum Chongqing. >> Read more
2016.05.17 Tue, by

Long Museum (Chongqing)

Long Museum Chongqing was under preparation and would be open to public on May 26, 2016. After the opening of the Long Museum Pudong and the Long Museum West Bund in Shanghai, this is the first major step it has taken to extend its reach to the south west region of China. >> Read more
2017.06.14 Wed, by

40 Years of Chinese Contemporary Photography (1976-2017) – Three Shadows 10th Anniversary Special Exhibition

Emerging after the Cultural Revolution, Chinese contemporary photography has more than forty years of history. This exhibition is divided into four sections: “The Rise of Unofficial Photography (1976–1979)”, “New Wave Photography (1980-1989)”, “Experimental Photography (1990-2006)”, and “The Development of Experimental Photography Organizations (2007-present) ” >> Read more
2016.04.25 Mon, by

YEH SHIH-CHIANG
“A Singular Life”
Hanart TZ, Hong Kong

Hanart TZ Gallery is honoured this April to present “A Singular Life: Yeh Shih-Chiang” the first solo exhibition at the gallery of works by the Taiwanese master painter and calligrapher, Yeh Shih-Chiang. >> Read more
2015.05.27 Wed, by

Revolution in Tradition :
China’s post-ink painting era
Galerie Nathalie Obadia, Paris

More than just a form of artistic expression, ink art and especially ink painting, is a cultural signifier. >> Read more
Interviews, 2014.04.16 Wed, by

Inspired by the Opera—Wu Hung on Performativity in Art

Wu Hung has pioneered the conversation on medium-based division at the center of Chinese contemporary art. >> Read more
Interviews, 2013.08.23 Fri, by

The Scholar’s Studio: Group Exhibition of Chinese Art + Design

The scholar’s studio is a refined place of creation and presentation. Art+ Shanghai Gallery celebrates links to tradition to inspire creativity and contemplation. >> Read more
History & Theory, 2009.03.09 Mon, by

Spheres of Influence

The Westerners are skilled in geometry, and consequently there is no the slightest mistake in their way of rendering light and shade [yang-yin] and distance (near and far). When they paint houses on a wall people are tempted to walk into them . . . Students of painting may well take over one or two points from them to make their own paintings more attractive to the eye. >> Read more